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  <titleInfo>
    <title>Faraway settings</title>
    <subTitle>Spanish and Chinese theaters of the 16th and 17th centuries</subTitle>
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  <name type="personal">
    <namePart>Gil-Osle, Juan Pablo</namePart>
    <role>
      <roleTerm type="text">editor.</roleTerm>
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  </name>
  <name type="personal">
    <namePart>De Armas, Frederick A.</namePart>
    <namePart type="date">1945-</namePart>
    <role>
      <roleTerm type="text">editor.</roleTerm>
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  <genre authority="">Electronic books.</genre>
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    <dateIssued encoding="marc">2019</dateIssued>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
    <extent>1 online resource : illustrations (some color).</extent>
  </physicalDescription>
  <tableOfContents>Jongleuresque origins / Bruce R. Burningham -- Spain learning about Chinese Theater (Miguel de Luarca's Verdadera relación de la grandeza del Reino de China) / Jorge Abril Sánchez -- Painting emotions and rames (Tang Xianzu's Peony pavilion and Lope de Vega's La quinta de Florencia) / Frederick A. de Armas -- Global climate and emotions / Juan Pablo Gil-Osle -- Emotion, object and space (Tang Xianzu's Peony pavilion and Pedro Calderón de la Barca's La vida es sueño) / Carmla V. Mattza Su -- Picaresque theater (Miguel de Cervantes' Pedro de Urdemalas, directed by Alejandro González Puche and Ma Zhenghong) / Alejandro González Puche -- Theatrical characters (Pedro Calderón de la Barca's El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong) / Ma Zhenghong -- Audience reception (Pedro Calderón de la Barca's El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong) / María José Domínguez -- From novel and theater (Pedro Calderón de la Barca, La vida es sueño, directed by Chen Kaisian) / Matthew Ancell -- Christian sacred plays and Nō style / Javier Rubiera -- Depicting Japan : Lope de Vega and Los primeros mártires del Japón / Claudia Mesa Higuera.</tableOfContents>
  <note type="statement of responsibility">Juan Pablo Gil-Osle &amp; Frederick A. de Armas (eds.)</note>
  <note>Includes bibliographical references and index.</note>
  <note>In English with Chinese characters.</note>
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  <subject authority="lcsh">
    <topic>Theater</topic>
    <geographic>Spain</geographic>
    <temporal>17th century</temporal>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Theater</topic>
    <geographic>Spain</geographic>
    <temporal>16th century</temporal>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Theater</topic>
    <geographic>China</geographic>
    <temporal>17th century</temporal>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Theater</topic>
    <geographic>China</geographic>
    <temporal>16th century</temporal>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Spanish drama</topic>
    <temporal>Classical period, 1500-1700</temporal>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Chinese drama</topic>
    <temporal>Ming dynasty, 1368-1644</temporal>
    <topic>History and criticism</topic>
  </subject>
  <classification authority="lcc">PN2782 ebook</classification>
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    <titleInfo>
      <title>Faraway settings</title>
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      <publisher>Madrid : Iberoamericana ; Frankfurt am Main : Vervuert, 2019</publisher>
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    <identifier type="local">(DLC)  2019431835</identifier>
    <identifier type="local">(OCoLC)1124989835</identifier>
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  <identifier type="isbn">9783964568922</identifier>
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