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Teoría estética / Th.W. Adorno ; edición de Rolf Tiedemann ; con la colaboración de Gretel Adorno, Susan Buck-Morss y Klaus Schultz ; traducción, Jorge Navarro Pérez.

By: Contributor(s): Material type: TextTextLanguage: Spanish Original language: German Series: Adorno, Theodor W., Works ; 7. | Akal bolsillo ; 67.Publisher: Tres Cantos, Madrid, España : Akal, [2015]Copyright date: ©2004Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9788446038054
  • 8446038056
Uniform titles:
  • Ästhetische Theorie. Spanish (Navarro Pérez)
Related works:
  • Translation of: Adorno, Theodor W., 1903-1969. Ästhetische Theorie
Subject(s): Genre/Form: Additional physical formats: Print version:: Teoría estética.DDC classification:
  • 111.85 23
LOC classification:
  • B3199.A33 ebook
Online resources:
Contents:
Teoría estética -- Paralipómenos -- Introducción inicial.
Summary: The culmination of a lifetime of aesthetic investigation, Aesthetic Theory is Adorno's major work, a defense of modernism that is paradoxical in its defense of illusion. In it, Adorno takes up the problem of art in a day when "it goes without saying that nothing concerning art goes without saying." In the course of his discussion, Adorno revisits such concepts as the sublime, the ugly, and the beautiful, demonstrating that concepts such as these are reservoirs of human experience. These experiences ultimately underlie aesthetics, for in Adorno's formulation "art is the sedimented history of human misery."
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Includes bibliographical references.

Teoría estética -- Paralipómenos -- Introducción inicial.

The culmination of a lifetime of aesthetic investigation, Aesthetic Theory is Adorno's major work, a defense of modernism that is paradoxical in its defense of illusion. In it, Adorno takes up the problem of art in a day when "it goes without saying that nothing concerning art goes without saying." In the course of his discussion, Adorno revisits such concepts as the sublime, the ugly, and the beautiful, demonstrating that concepts such as these are reservoirs of human experience. These experiences ultimately underlie aesthetics, for in Adorno's formulation "art is the sedimented history of human misery."

Online resource; title from ePub title page (Digitalia, viewed July 31, 2019.

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