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Joan Miró : l'home que va capgirar la pintura / un film de Yves de Peretti ; una pel·licula escrita i dirigida per Yves de Peetti ; documentalista, Marie-Nicole Feret.

Contributor(s): Material type: FilmFilmLanguage: Catalan, Spanish, French Subtitle language: Catalan Publisher: [Barcelona, Spain] : Les Films d'Ici, [2004]Distributor: [Barcelona, Spain] : [Mallerich Films]Copyright date: ©2004Description: 1 online resource (1 video file (60 min.)) : sound, color with black and white sequencesContent type:
  • two-dimensional moving image
Media type:
  • computer
Carrier type:
  • online resource
Other title:
  • English title: Joan Miró : the man who turned painting upside down
Uniform titles:
  • Joan Miró (Motion picture : 2004)
Subject(s): Genre/Form: Online resources: Production credits:
  • Cinematographer, Diane Baratier; editor, Stéphanie Goldschmidt; music, Carles Santos.
Summary: Based on the writings of artist, Joan Miró, and returning to some of the places where he lived and worked, this cinematographic journey appraises Miró's crucial contribution to modern art, in particular during the 1920's. The audacity to which he subject his paintings was a kick in the ass to the artistic conventions of the time, which, to use his own words, he wanted to "murder." Celebrated but not always understood, Miró's work inverted the relationship between form and background, and, using a language of symbols, he invented a new relationship within pictorial space. -- Digitalia Film Library website
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Originally released as a motion picture in 2004.

A coproduction with Mallerich Films Paco Poch and Televisió de Catalunya and the collaboration of Fundació Joan Miró, Barcelona.

Cinematographer, Diane Baratier; editor, Stéphanie Goldschmidt; music, Carles Santos.

Based on the writings of artist, Joan Miró, and returning to some of the places where he lived and worked, this cinematographic journey appraises Miró's crucial contribution to modern art, in particular during the 1920's. The audacity to which he subject his paintings was a kick in the ass to the artistic conventions of the time, which, to use his own words, he wanted to "murder." Celebrated but not always understood, Miró's work inverted the relationship between form and background, and, using a language of symbols, he invented a new relationship within pictorial space. -- Digitalia Film Library website

In Catalan, French, Spanish with only subtitles in Catalan when French is spoken.

Online resource; title from opening/closing credits (Digitalia Film Library, viewed December 18, 2015).

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