000 03846ngm a2200649 i 4500
001 DIGFLMLIB0854
008 170504t20092009gau053 o vleng d
006 m o c
007 vz czazu
007 cr cza|||a||||
035 _a(OCoLC)985959767
040 _aDGITA
_beng
_erda
_epn
_cDGITA
046 _k2009
245 0 0 _aCopyright criminals /
_ca picture by Benjamin Franzen ; director, producer, editor, and cinematographer, Benjamin Franzen ; writer and music consultant, Kembrew McLeod ; a production of Copyright Criminals LLC in association with Changing Images, LLC and ITVS.
257 _aUnited States
_2naf
264 1 _a[Atlanta, Ga.] :
_bCopyright Criminals, LLC,
_c[2009]
264 2 _a[Port Washington, N.Y.] :
_b[Soundview Media Partners]
264 4 _c©2009
300 _a1 online resource (1 video file (53 min.)) :
_bsound, color.
336 _atwo-dimensional moving image
_btdi
_2rdacontent
337 _avideo
_bv
_2rdamedia
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
344 _adigital
_gstereo
_2rda
347 _avideo file
_bMPEG-4
_2rda
380 _aMotion picture
500 _aThe copyright symbol appears at the head of the title.
500 _aOriginally produced as a motion picture in 2009; television broadcast premiere Jan. 19, 2010, on the PBS series Independent Lens.
511 0 _aFeaturing interviews with: Jeff Chang, Chuck D., George Clinton, De La Soul, Steve Albini, Hank Shocklee, Eclectic Method, Eyedea & Abilities, Mr. Len, Harry Allen, Sage Francis, DJ Spooky, DJ Obert, Miho Hatori, El-P, Saul Williams, Clyde Stubblefield.
508 _aAdditional cinematography, Ross Gabriel Šebek ; additional editing, Sarah Franzen and Video Rahim.
520 _aAs hip-hop rose from the streets of New York to become a multibillion-dollar industry, artists such as Public Enemy and De La Soul began reusing portions of previously recorded music for their songs. But when record company lawyers got involved, everything changed. Years before people started downloading and remixing music, hip-hop sampling sparked a debate about copyright, creativity, and technological change that still rages today.
536 _aFunding provided by Ford Foundation, University of Iowa, John D. and Catherine T. MacArthur Foundation.
546 _aIn English.
588 0 _aOnline resource; title from opening/closing credits (Digitalia Film Library, viewed May 5, 2017).
650 0 _aCopyright
_xMusic
_zUnited States.
_9143656
650 0 _aMusicians
_xLegal status, laws, etc.
_zUnited States.
_9143657
650 0 _aRap (Music)
_9143658
650 0 _aMusic trade
_zUnited States.
_9143659
650 0 _aSampling (Sound)
_xLegal status, laws, etc.
_zUnited States.
_9143660
650 0 _aSampling (Sound)
_xEconomic aspects.
_9143661
650 0 _aMusic trade
_xEconomic aspects
_zUnited States.
_9143662
655 7 _aMusical films.
_2lcgft
_9138514
655 7 _aDocumentary films.
_2lcgft
_9139092
655 7 _aNonfiction films.
_2lcgft
_9139496
655 7 _aFeature films.
_2lcgft
_9138479
655 7 _aInternet videos.
_2lcgft
_9138480
655 0 _aStreaming video.
_9138481
700 1 _aFranzen, Benjamin,
_efilm director.
_9143663
700 1 _aMcLeod, Kembrew,
_d1970-
_escreenwriter.
_9143664
710 2 _aCopyright Criminals (Firm)
_eproduction company.
_9143665
710 2 _aSoundview Media Partners,
_efilm distributor.
_9143579
791 2 _aDigitalia (Firm),
_edistributor.
793 0 _gDigitalia Film Library:
_aDocumentaries
856 4 0 _3Digitalia Film Library (streaming video)
_uhttps://login.zproxy.cun.edu.co/login?url=https://www.digitaliafilmlibrary.com/film/973/
856 4 _3Film poster
_uhttps://login.zproxy.cun.edu.co/login?url=https://www.digitaliafilmlibrary.com/cover?id=973
942 _2ddc
_cVSTREAM
999 _c50326
_d50326